A Sparkling Spectacle, Yet Something’s Missing
Disney’s “Aladdin,” now a Broadway fixture, remains a visually stunning production. The sets are breathtaking, transforming the stage into the bustling marketplace of Agrabah, the shadowy Cave of Wonders, and the breathtaking palace with seamless fluidity. The costumes, vibrant and detailed, perfectly capture the magic and fantasy of the story. From the genie’s flamboyant outfits to Jasmine’s shimmering princess gowns, every detail is meticulously crafted, creating a feast for the eyes that consistently dazzles.
Casey Nicholaw’s Choreography: A High Point
Casey Nicholaw’s choreography is undoubtedly one of the show’s strongest elements. His signature blend of acrobatic precision, comedic timing, and infectious energy infuses every number with vitality. The ensemble work is exceptional, showcasing incredible athleticism and a remarkable ability to seamlessly transition between various dance styles. The choreography is crucial to the show’s overall success, adding a layer of dynamism and excitement that elevates even the simpler scenes.
The Genie: A Tour de Force, But…
The role of the Genie, famously played by James Monroe Iglehart in the original Broadway cast, remains a challenge for any actor. While the current Genie embodies the character’s larger-than-life persona with impressive energy and comedic timing, there’s a sense that something is missing. The performance lacks the raw, uninhibited charisma that Iglehart brought to the part, leaving a slight emptiness in a role that should be the beating heart of the show.
Aladdin and Jasmine: A Charming, If Conventional, Pairing
The actors playing Aladdin and Jasmine possess undeniable charm and stage presence, their performances complementing each other nicely. Their vocal abilities are strong, successfully navigating the show’s demanding score. However, the chemistry between them feels somewhat underdeveloped. While their individual performances are impressive, the romantic spark that should ignite between Aladdin and Jasmine sometimes feels muted, leaving the emotional core of the story slightly less impactful.
A Score That’s Both Familiar and Fresh
Alan Menken’s score, a masterful blend of familiar Disney classics and newly composed numbers, is consistently engaging. The music effectively conveys the emotional range of the story, from the playful exuberance of the comedic scenes to the poignant moments of romance and self-discovery. The songs are beautifully orchestrated, providing a rich and layered soundscape that enhances the overall theatrical experience. The inclusion of some of the original songs, now updated to fit the stage, feels natural and satisfying for long-time Disney fans.
Technical Prowess Masks a Lack of Depth
The technical aspects of the show are undoubtedly impressive. The flying sequences are spectacular, the special effects are seamlessly integrated, and the lighting design masterfully creates atmosphere and mood. However, beneath the dazzling surface, there’s a sense that the production sometimes prioritizes spectacle over substance. While the visuals are undeniably captivating, they occasionally overshadow the emotional depth and nuanced character development that could elevate the production to a truly unforgettable experience.
A Solid, Yet Unremarkable, Evening
Ultimately, “Aladdin” on Broadway delivers a solid, entertaining evening of theatre. The visual spectacle is undeniable, the choreography is exhilarating, and the score is consistently pleasing. However, the production lacks the emotional resonance and compelling character development that would elevate it beyond a simply enjoyable show to a truly memorable one. While it’s a worthwhile experience, especially for families, it falls short of reaching the heights of some other Broadway musicals.
A Family-Friendly Option, But Not a Must-See
Despite its flaws, “Aladdin” remains a strong contender for a family-friendly night out at the theatre. The vibrant spectacle and familiar story will undoubtedly appeal to children, and the impressive technical elements ensure a visually engaging experience for all ages. However, for those seeking a deeply moving or intellectually stimulating theatrical experience, “Aladdin” might not be the best choice. It’s a perfectly good show, but not necessarily a must-see. Read also about the Aladdin Broadway review in the New York Times.